REVIEW: Marcus Gad – For All

Marcus Gad — For All

Big Scoop Records – digital, Vinyl, CD

Text: Volk­er Barsch

At the very begin­ning, var­i­ous instru­ments imi­tate the sounds of nature before a mas­sive bassline, per­cus­sion and drums, off­beat gui­tar, horns and final­ly the vocals come in: “Run come ral­ly round, chil­dren…” Wel­come to the world of Mar­cus Gad.

The fifth album by the Rasta­far­i­an artist from New Cale­do­nia once again breathes sus­tain­abil­i­ty, com­mu­ni­ty spir­it, spir­i­tu­al­i­ty and resilience, plac­ing itself as far as pos­si­ble from Babylon’s destruc­tive ten­den­cies.

Three years have passed since his last release, Ready For Bat­tle, and Mar­cus has been any­thing but idle. He has toured exten­sive­ly around the world, per­form­ing at venues and fes­ti­vals as diverse as Roto­tom Sun­splash, Goa Sun­splash in India and the Ger­main Comar­mond Sta­di­um in Mau­ri­tius.

The fact that he also became a father dur­ing that time may explain why he now seems even more at peace with him­self and the world than before. You can hear it through­out all twelve tracks, espe­cial­ly on the sooth­ing title song, and it is already clear­ly vis­i­ble on the cov­er pho­to, which shows him relaxed, bare­foot and bare-chest­ed, sur­round­ed by fam­i­ly, friends and nature in his native New Cale­do­nia. The lat­ter also serves as the inspi­ra­tion for “Where Mi Come From”, which, like the equal­ly smooth-flow­ing “Shine a Light”, was released ahead of the album.

Mar­cus Gad’s island-root­ed iden­ti­ty and deep con­nec­tion to nature stand firm­ly against the neg­a­tive effects of glob­al­iza­tion while simul­ta­ne­ous­ly cre­at­ing pos­i­tive glob­al rip­ples of their own. Inspired by the roots reg­gae of the U.S. Vir­gin Islands, the singer has devel­oped his own “Kanaky” sound, which is heard around the world and has earned him a sol­id fan­base in places such as Mau­ri­tius, an island locat­ed some 11,000 kilo­me­tres from New Cale­do­nia.

Colo­nial his­to­ry, envi­ron­men­tal aware­ness and heart­beat reg­gae are the threads that tie these worlds togeth­er. And kin­dred spir­its can be found every­where. One of them is U.S. Vir­gin Islands roots queen Dezarie, who fea­tures on the spec­tac­u­lar com­bi­na­tion tune “Code”. On the track, the two Ras­tas con­demn Babylon’s manip­u­la­tion of nature and draw a clear line in the sand: “You can­not decode Jah code / Shall not decode Jah code / Will not decode Jah code / Access denied!”

On every oth­er track as well, Mar­cus Gad, his trust­ed Tribe band and his favourite pro­duc­er, Clé­ment “Tamal” Thouard, leave a par­tic­u­lar­ly focused impres­sion, con­tin­u­ing their shared jour­ney with yet anoth­er deeply inspir­ing album.


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