Donna Hope: On Dancehall
Donna Hope on Dancehall as a mirror of Jamaican society – from class, gender and violence to Vybz Kartel, Trap Dancehall and cultural change.
D’YANI: It’s A Journey, Not A Hype
He didn’t chase the hype, he took his time, nurtured his talent and learned from his grandmother, an alleged detour via Downsound Records and not least from his current producer Kareem Burell of XTM Nation, who crafted some wonderful reggae riddims tailor-made for the singer’s classic soul voice. The result can be heard on D’yani’s first full-length album „Live Life And Prosper“
BELOW THE BASSLINE: Congo Ashanti
The story of "Congo Ashanti": How Corsican bassist Philippe Quilichini helped The Congos bridge Kingston, London and Paris on their 1979 roots reggae classic.
REVIEW: Masicka – Forever Reign
The youngins can outgore and outkink each other all they want; Kartel and Mavado can keep museumizing their merits with all the business savvy they can muster. Masicka is the king of dancehall.
REVIEW: Buju Banton – Too Too Bad
On "Too Too Bad", Buju Banton barrels through the history of reggae and dancehall in decisive two-decade jumps. Davide Bortot listened and reflected.
Fantan Mojah – Backpacking
Republished in tribute to Fantan Mojah after his passing, this 2004 RIDDIM interview captures the reggae singer's spirituality, humility, humour and unwavering love for his people.
Aza Lineage: The Reflective Rebel
Aza Lineage discusses her debut album "Rebel Daawta", working with King Jammy, reggae's message, female empowerment and what it truly means to be a rebel.
CHOLITA – ”I’m Proud”
The Jamaican-Peruvian newcomer on her Dre Skull produced debut EP "Broken Promises," authenticity, her roots and finding her place in music.
REVIEW: Samory I – Revelation
Samory I’s "Revelation" blends roots reggae, soulful songwriting and modern influences, delivering powerful messages, personal reflections and standout collaborations.