REVIEW: The 18th Parallel – All Fruits Ripe

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The 18th Parallel – All Fruits Ripe

Fruits Records/Evidence Music

Text: Volk­er Barsch

When The 18th Par­al­lel from Switzer­land and Rober­to Sanchez from Spain come togeth­er, noth­ing can go wrong. Here, true reg­gae con­nois­seurs and con­sum­mate crafts­men are at work – artists who, like few oth­ers, man­age to car­ry the orig­i­nal roots sound, with its jazzy foun­da­tion, into the present day. Their fruit­ful col­lab­o­ra­tion most recent­ly cul­mi­nat­ed in the spec­tac­u­lar and high­ly ambi­tious ”Roots Archi­tects” project, which fea­tured more than 50 Jamaican musi­cians, most of them bona fide leg­ends.

The record­ings for ”All Fruits Ripe” also took shape over an extend­ed peri­od, in this case between 2015 and 2025. Once again, The 18th Par­al­lel rely on their tried-and-test­ed show­case for­mat: five tracks are pre­sent­ed with sep­a­rate vocal and dub ver­sions, along with one addi­tion­al song in an extend­ed mix where the vocal seam­less­ly tran­si­tions into the dub ver­sion.

The open­er fea­tures Mic­ah She­ma­iah, whose out­stand­ing albums ”Roots I Vision” and ”Jamaica Jamaica” were already pro­duced by The 18th Par­al­lel. And on ”To Be Free,” Shemaiah’s dis­tinc­tive bari­tone once again forms a per­fect sym­bio­sis with the musi­cians’ fine­ly wrought vir­tu­os­i­ty.

On ”Guid­ing Star,” roots vet­er­an Rod Tay­lor proves that he has lost none of his touch even at near­ly 70 years of age, while Var’s ”Let Thy King­dom Come” feels some­what slug­gish, par­tic­u­lar­ly in the cho­rus – despite the for­mer Pen­ta­teuch front­man and ”Inna di Yard” artist deliv­er­ing his per­for­mance with cus­tom­ary ded­i­ca­tion.

Strong per­for­mances also come from vet­er­an Kei­th Rowe (of Kei­th & Tex) on ”Love Gets Sweet­er,” Port­land-born Ras­ta singer Itral Ites on the smooth­ly flow­ing ”No More Will I Roam,” and Hezron on the extend­ed track ”Keep On Keep­ing On.”

The excel­lent dub ver­sions allow the lis­ten­er to focus on the fin­er details of the arrange­ments, with per­cus­sion, bass, and horns in par­tic­u­lar com­ing into their own in a dif­fer­ent light.

Fruits Records mas­ter­mind Math­ias Liengme pro­duced all tracks and played all key­board parts, while Rober­to Sanchez han­dled the mix. Record­ing ses­sions took place at the Mix­ing Lab and Small World Stu­dio in Kingston, at Bridge and Evi­dence stu­dios in Gene­va, at Ari­wa in Lon­don, and at Sanchez’s A‑Lone Ark Muzik Stu­dio in San­tander, north­ern Spain – pri­mar­i­ly with musi­cians from The 18th Par­al­lel and Sanchez’s Lone Ark Rid­dim Force. Guest musi­cians include liv­ing leg­ends such as Leroy ”Horse­mouth” Wal­lace, as well as the late Dal­ton Browne and Scul­ly Sims.

All in all, with ”All Fruits Ripe,” The 18th Par­al­lel add anoth­er fine roots show­case com­pi­la­tion to their cat­a­log.


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